这是一部新《红色娘子军》。作者以独特的视角对电影《红色娘子军》做了大胆的解构、改写,保存了原作故事架构的同时延展了历史,以模糊不确定、似是而非的形式,塑造了一组新的人物——形同原著人物的女红军冯琼花及其孙女冯、琼花恋人钟伯、自诩为南霸天孙子的电影人等。对历史的遗忘与审视,对现状的困惑与逃离,以现代精神全部重新评说。每章前半部的语言风格是村上春树的,后半部是红色经典式的。文本风格、人物情感、精神观念、人文风土、时空隔阂的强烈反差留给人们无尽的反思,同时描状了当年红色娘子军幸存者今天的生活。（This is a new The Red Detachment of Women. The author makes bold deconstruction and rewriting of the movie, The Red Detachment of Women, from a unique perspective, expands the history while preserving the structure of the original story and shapes a group of new characters in a fuzzy, uncertain and specious form—characters just like characters of the original, such as Feng Qionghua, a female soldier of the Red Army, Feng Qionghua’s granddaughter, Feng Qionghua’s lover, Zhong Bo, and the filmmaker who style himself the son of Nan Batian. The forgetting and examination of the history and the confusions and escape of the present situation are all commented on again with modern spirit. The language style of the first half of each chapter is of the style of Haruki Murakami. The language style of the second half is red and classical style. The sharp contrast of text styles, characters’ emotions, the spiritual concepts, humanity and customs and space-time estrangement between two parts gives people endless reflections and depicts the current living conditions of survivors of the Red Detachment of Women.）